Yes I know I am due to write about Day 3 and the first show of Day 4, but I cant contain my excitement about the Rohit Bal show, so I am skipping the rest and will come back to them a little later.
The show was packed! Seating arranged had been increased to accommodate the huge crowd and people were still left standing, although no one complained this was THE show everyone had been waiting for, I certainly was!
Rohit Bal is known for his extravagant style, he is the showman of the industry and surely enough when you entered the main stage area you were greeted by huge lotuses hung from the ceiling, draped lights all around. It was like entering a new world.
The room was darkened once when the announcement for the start of the show was called...in pitch darkness came the glow of the first lotus and then the next, in random order one by one all lotuses lit up from inside...
Songs like 'Lag jaa gale' (Woh Kaun Thi, 1964) set the pace for the show, followed by 'Yeh hai reshmi zulfon ka andhera' (Mere Sanam, 1965), 'Baahon mein chale aao' (Anamika, 1973) and 'Aaiye meherbaan' (Howrah Bridge, 1958), moving on to more contemporary 'Kehna hi kya' (Bombay, 1995) and an instrumental version of 'Roja jaaneman' (Roja, 1992), only to return to 'Aa jaane jaan'
The show was packed! Seating arranged had been increased to accommodate the huge crowd and people were still left standing, although no one complained this was THE show everyone had been waiting for, I certainly was!
Rohit Bal is known for his extravagant style, he is the showman of the industry and surely enough when you entered the main stage area you were greeted by huge lotuses hung from the ceiling, draped lights all around. It was like entering a new world.
The room was darkened once when the announcement for the start of the show was called...in pitch darkness came the glow of the first lotus and then the next, in random order one by one all lotuses lit up from inside...



